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Key Information
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| Artist: |
Bela Fleck |
| Record Label: |
Sony Classical |
| Contributing Artist: |
Evelyn Glennie |
| Genre: |
Jazz Instrument |
| Subgenre: |
Banjo |
| Release Date: |
October 02, 2001 |
| Number of Discs: |
1 |
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Song List: Disc 1
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1. Keyboard Sonata in C Major K. 159 (Scarlatti)
2. Two-Part Invention No. 13 (Bach)
3. Doctor Gradus Ad Parnassum (Debussy, from "Children's Corner")
4. Mazurka in F-Sharp Minor (Chopin)
5. Prelude From Partita No. 3 For Solo Violin (Bach)
6. Etude in C-Sharp Minor (Chopin)
7. Mazurka in F-Sharp Minor (Chopin)
8. Three-Part Invention No. 10 (Bach)
9. Melody in E-Flat (Tchaikovsky)
10. Presto in G Minor I After Bach (Brahms)
11. Prelude From Suite For Unaccompanied Cello No. 1 (Bach)
12. Three-Part Invention No. 15 (Bach)
13. Moto Perpetuo (Paganini)
14. Keyboard Sonata in D Minor K. 213 (Scarlatti)
15. Two-Part Invention No. 6 (Bach)
16. Adagio Sostenuto From Moonlight Sonata (Beethoven)
17. Two-Part Invention No. 11 (Bach)
18. Seven Variations on "God Save the King" (Beethoven)
19. Three-Part Invention No. 7 (Bach)
20. Moto Perpetuo (Paganini, bluegrass version) |
| More Information |
| Details: |
Personnel includes: Bela Fleck (banjo); Joshua Bell (violin); Gary Hoffman (cello); Evelyn Glennie (marimba); Edgar Meyer (piano, bass); John Williams (guitar); Bryan Sutton (steel string guitar); Chris Thile (mandolin). Engineers include: Robert Battaglia, Richard Battaglia, Steve Orchard. Recorded at Avatar, Peacock Gardens, Nashville, Tennessee; Lyndhurst Hall, Air Studios, London, England; Avatar Studios, New York, New York. Includes liner notes by Bela Fleck. PERPETUAL MOTION won the 2002 Grammy Award For Best Classical Crossover Album. "Doctor Gardus Ad Parnassum" won the 2002 Grammy Award for Best Instrumental Arrangement. When thinking of classical music of the 18th and 19th centuries, one instrument that rarely jumps to mind is the banjo, and that is putting it mildly. With PERPETUAL MOTION, a collection of unique arrangements of pieces by the likes of Bach, Beethoven and Chopin, Bela Fleck may have changed that perception permanently. Though "chops man" or "shredder" might have been the more co... |
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