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Key Information
|
| Directors: |
Martin Scorsese |
| Stars: |
Ray Liotta |
| Actors: |
Chuck Low |
| Genre: |
Dramas |
| Subgenre: |
Recommended · True Story · Friends · Organized Crime · Murder · Betrayal · Crime · Essential Cinema · Classic |
| MPAA Rating: |
R (MPAA) |
| Available Formats: |
VHS: Dubbed Spanish |
| UPC: |
085391163121 |
| Release Date: |
1990 |
| Running Time: |
2hr 28min |
|
Languages
|
| Original Language: |
English |
|
DVD Editions
|
| : |
Format: DVD
Release Company: Warner Home Video (May 15, 2007)
UPC: 085391163121 |
|
VHS Editions
|
| : |
Format: VHS: Widescreen, 2hr 28min
Release Company: Warner Home Video (March 07, 2000)
UPC: 085391328735 |
|
Credits
|
| Screenwriter: |
Martin Scorsese |
|
Professional Reviews
|
| : |
(09/19/1990, p.C11, Vincent Canby): "...Breathless and brilliant....GOODFELLAS is memorable for the ensemble nature of the performances..." |
|
Quotes from the Movie
|
| : |
"All my life, I've always wanted to be a gangster."--Henry Hill (Ray Liotta)
"I gotta admit the truth--it turned me on."--Karen Hill (Lorraine Bracco)
"Whaddaya mean I'm funny?...Funny how? I mean, funny like a clown? I amuse you?"--Tommy (Joe Pesci) to Henry Hill |
| More Information |
| Details: |
Based on Nicholas Pileggi's book WISEGUY, Martin Scorsese's GOODFELLAS is a wry, violent, and exhilarating film about the life of Henry Hill, an aspiring criminal who ends up in the FBI's witness protection program after testifying against his former partners. As a poor Irish-Italian growing up in 1950s New York City, Hill (Ray Liotta) rises through the ranks of his Brooklyn neighborhood's organized crime branch, and with money from the mob he begins living the good life, complete with a beautiful bride, Karen (Lorraine Bracco), a fancy house, and the best seats at the most exclusive restaurants. A botched robbery lands Henry in prison for a brief period of time, and when he gets released, his reckless infidelities and drug abuse damage his association with his adopted family. <br> <br> Scorsese's film is a visual and sonic onslaught, featuring a brilliant pop-music soundtrack and stunning camera work--including the infamous Steadicam one-take that introduces the audience to the Copacabana's patrons. He... |
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